Wednesday, September 15, 2004

1995: things they'll never see



[first posted on evijhserf]

mid-september, and i'm in ibiza with sexy ross, whoring it up for a week. or should i say: trying, and failing, to keep up with sexy ross. rita tushingham to his lynn redgrave.

ross is the most handsome man i know, with classic good looks that cross all boundaries - meaning everyone wants a piece of him.

everyone but me, that is: i'm just about the only person ross knows who hasn't had a shag with him. not that i didn't have my chances, mind: i'm no god, but i can more than hold my own, heh heh.

it's just that, even within the first few minutes of meeting him, i sensed i faced a simple choice: friendship or shag. thankfully, i chose friendship.

as in london town, so in ibiza town. in every venue on the nightly gay trail - from the bars on calle virgin, through to the dome, and onwards up to anfora - ross is the undisputed star. wherever i train my eyes, i find guys staring right back at me - longing, lingering, trance-like stares. especially the hotties: the ones with a chance. (wisely, the mingers tend not to look for too long - there's too much self-torture involved.) each time, for a split second, my heart does a lurch - who, little me? - before the same old realisation kicks in.

still, basking in reflected glory has its compensations. ross has this unapproachable vibe about him, you see. you do NOT approach him; you simply wish for the best, and pray that he approaches you. whereas i'm already in the charmed circle.

look, everybody! look how close we are! observe how he smiles at me! how he laughs at my jokes! how he casually places a hand on my shoulder!

sometimes, i feel like the gatekeeper: to get to him, you go through me, and mind that you're pleasant about it. he has my ear, you know. he trusts my judgement. so watch it, hopeful applicant.



when ross was young, and naive, and trusting, and quite outrageously pretty, he gave his heart away - to a much older, much richer man, who swept him off into the glossy uptown world of his dreams. inevitably, dependency set in, with all of its attendant power games and headfucks. inevitably, disillusionment, rejection and heartbreak followed. (this guy liked to keep his chickens young.)

the heart had healed over with a thick protective scab. ross would never allow himself to get hurt like that again. instead, he would retain power at all times, summoning and dismissing at whim. fucking them over before they could get the chance to do the same to him. come on, we've all seen it. especially if we've spent any time at all on the london scene.

the sweetest, kindest, most loyal friend you could wish for... so long as you didn't shag him. because underpinning the ready charm and the insatiable lust, there was a lurking residual anger.



lunchtime, and we're troughing into burgers and chips at a random beach bar in figuretas. halfway through the meal, ross gets up and goes inside for a slash.

hmm, he's taking his time. i carry on noshing.

three or four minutes later, he returns to his seat, as nonchalant as you please.

don't look up too obviously, he tells me, between munches. but in about a minute's time, a tall blonde guy is going to come out of that door behind me, and he's going to look pissed off.

a minute later, a tall blonde guy comes out of the door behind ross, with a pissed off look on his face. brushing past us, he returns to a table behind me, where he re-joins a miserable looking bearded bloke, perhaps ten years his senior.

- so how did you know that was going to happen?

- because he's just been sucking me off in the bogs, that's how.

- whaaat...?

- well, we were the only people in there, and he was giving me the eye, so we went into a cubicle. might as well!

- so why was he looking pissed off?

- cos when he'd finished on me, he wanted me to do the same back to him. but i refused. left him in there with his cock hanging out. fuming, he was!
[giggles]

- why didn't you?

- well, i told him: i'm halfway through eating. you can't suck someone's knob with bits of burger in your mouth, can you? that's disgusting! it would put me off the rest of the meal! anyway, the burger was getting cold...

- what. the. FUCK. are. you. like?

- shut up and eat your lunch.


we dubbed ourselves the fat slags after that. san and tray on their hols, boffing the bleurks without spilling their chips. no opportunity passed up. no scene too cheap. no depth too low. happy times.



one evening, i decide i need a break from anfora. here i am in the clubbing capital of the known universe, and all i'm seeing is this shitty provincial disco with pickpockets in the darkroom and last year's hits on the decks. time to try one of the superclubs. the nearest one is pacha. pacha it is, then.

ross isn't keen, says he might stay in and recharge his batteries (yeah, right), wishes me well. so i'm on my own, then. fine. it'll be an adventure.

provided i can find some e, that is.

(oh, didn't i say? yeah, that all happened months ago. insert standard life-changing quasi-religious epiphany here. hardcore, you know the score.)



suzie from home told me there was this bar on the harbour where you could get sorted before the clubs opened, so i wander off to find it. first time all week i've gone somewhere outside the gay scene.

one thing i'm still crap at: sniffing out the dealers in a new place. mates of mine can do it instantly (suzie had a mental time here in july), but i don't know how they work it out. a certain look in the eye? tell-tale hand movements? beats me.

here in this bar, i haven't a clue. i stand in this corner and that, go upstairs, go back down again... nope, nothing. i'm probably being too obvious. they'll think i'm plain clothes or something.

next to me, a well-scrubbed, fresh-faced cluster of nice people are chatting about the evening ahead. they've all decided that this is the night that they do e for the first time, and they're all nervously excited about it, like a clutch of virginal brides on their wedding nights. sweet. makes me feel like an old hand. except EVEN THEY KNOW WHERE TO FIND THE FUCKING STUFF AND I DON'T. in fact, i bet that everyone else in this bar knows where to find the fucking stuff except me.

can't face asking around. way too obvious. so i head off in search of a taxi instead.



as the taxi pulls up, this beautiful german girl with long dark hair approaches me. am i going to pacha? could we share? we hop in together. she hasn't been before, either. a pity: i was hoping for a seasoned regular.

as we stand in line at the door, she asks me whether we'll be able to get any e inside. i say: yeah, probably, but i don't know how. she smiles, says she never has any problems. we make a pact: we'll search the place separately, then meet back here in half an hour.

pacha is huge and glossy: much smarter and more upmarket than i was expecting. glammed-up euro-jetset-trash for the most part ... with the occasional "exotic character", such as the oily guy with the embroidered waistcoat over leathery walnut pecs, offering a feel of the snake round his neck to passing laydeez.

more importantly: it doesn't look very druggy. fuck, where do i start?

sod the embarrassment: the need to score has taken me over. so i start prowling. which is like cruising, only harder - as the person you're looking for isn't going to stare back with a helpful come-hither smile.

over by one of the dozens of bars, i spot what looks a standard issue boggle-eyed mad-fer-it loon, and approach him.

- any idea where i can get some e?

- nah mate. i don't touch 'em. you don't need drugs to have a good time, know what i'm saying?


i feel about that high.



just ahead of time, the beautiful german girl spots me. she's beaming. come on, i've found someone!

he's a surly piece of work. shifty looking would-be surfer dude with bleached curls, and another of those stupid embroidered waistcoats. trying to cover up his nerves with attitude.

chocks away, then. down the hatch.



the main dj tonight is jon pleased wimmin, doing a three hour set. probably before your time, but the guy was still a big draw back then. tranny, long blonde hair, part of the kinky gerlinky / velvet underground / malibu stacey / billion dollar babies ultra-fash super-glam set. i've completely lost you now, haven't i?

after a long, long wait (is this thing gonna work or what?) the pill kicks in just as jon hits the decks. the music's a kind of twisted new take on hi-energy/italo-disco: wilfully brash, knowingly crass, primary-colours-garish. lots of pumping two-note neo-bobby o basslines. gay music for straights.

i'm not really feeling it, though ... and neither is anybody else, for that matter. it's the wrong sort of music for this sleek crowd, lined up side by side on the terraced banks above the main floor, all facing the same way, expressions betraying nothing.



i'm down on the main floor, determinedly doing my best, when suddenly my arms and legs quadruple in weight. in denial, i try and dance it through ... but the sluggish feeling just keeps on intensifying. the music is no longer energising ... now it's an oppressive force: blaring, distorted, menacing. an empty rattle, full of sound and fury, but signifying ... nothing.

i stagger off the dancefloor and make for the toilets. water, i need water. if the pill gives you grief, you drink water. everyone knows that. water's the antidote. in trade and ff, you're not properly dressed without it.

fuck's sake, what's this? the tap water in here is unfit for drinking ... salty, unrefined, disgusting ... there are signs and everything. in fact, there's no free water in the club at all. in london, there'd be uproar.

i head for an upstairs bar. how much? that's like four quid for a small bottle! what with the taxi, and the massive entrance charge, and fifteen quid for the pill, and the overpriced beer, i haven't got any money left on me.

thankfully, i've found a decent human being behind the bar. reading my aghast expression, sensing that something's wrong, he silently hands me a bottle and nods me away.

my first mongy pill. bollocks. thought i was immune.



slumping onto a banquette, i try to centre myself. deep, steady breathing. calming thoughts. i am invincible. nothing can harm me. everything will be ok. just ride it out.

a few yards in front of me, three ghastly, pushy girlies in teensy tops and skimpy skirts are hustling some old rich guys for champagne. the falseness on all sides is palpable; it turns my stomach.

there's a tall, lean fella standing near me with ginger curls and a leather waistcoat. (what is it with waistcoats in this place?)

- they're great, aren't they?

- huh? who?

- those three girls over there, really going for it. i love their spirit. plus they're bloody gorgeous, all three of 'em ... dontcha think?

- actually, i'm gay myself ... but yeah, i can see that they're very attractive. don't you think they're just being prick-teases, though? i mean, just look at those guys they're with...

- nah, so what? they're playing the game, and good luck to 'em.

- that's the difference between this place and the gay scene. gay men would never prick tease like that.

- sorry mate, but that's bollocks. i've got loads of gay mates, and i've been to loads of gay clubs, and you lot never stop. you're the biggest teases going. watch me!


mouth slightly parted, he starts grinding his hips in front of me, in a pantomime of erotic display. oooh... yeahhhh. licking his lips. running his hands back through his curls. moistening his forefingers with his tongue, then rubbing them over both nipples.

- see what i mean?

- ok, ok, you're right. i don't know why i even said that in the first place. don't mind me, i've had a dodgy pill.

- you wanna be careful with that stuff, mate. i don't touch it. just stick to the old beers. shit music tonight though, innit?


i smile a watery smile, and he wanders off.

the barman gives me another water.

after the third bottle, he looks at me firmly. last one. okay, okay.

why haven't i left yet? because i still think that the monged-out phase will pass. all this effort, all this expense, all this pain ... somewhere down the line, there has to be a payback.



i think i'm just about ok to stand up again now. yeah, that's fine. i can do that. let's try the stairs, then. yep, no problem. now let's try standing at the edge of the dancefloor. hmm, seem to be managing that ok.

fuck, the music's stopped. is it 6 o'clock already?

as half the crowd drifts towards the door, jon pleased wimmin sticks one more record on.



maybe, i don't really want to know
how your garden grows
i just want to fly.

lately, did you ever feel the pain?
in the morning rain?
as it soaks it to the bone?

oh, christ all fucking mighty. after four hours of crash-bang-clatter, this music is balm to my soul. ignoring the emptying floor, i hoist myself up onto the nearest speaker.

maybe i just want to fly
i want to live, i don't want to die
maybe i just want to breathe
maybe i just don't believe
maybe you're the same as me
we see things they'll never see
you and i are gonna live forever...

all remaining traces of the monginess have disappeared, replaced by the most intense, all-consuming sense of bliss. eyes half shut, beaming from ear to ear, gently swaying from side to side, i feel every word burning into my soul.

maybe i will never be
all the things that i want to be
but now is not the time to cry
now's the time to find out why
i think you're the same as me
we see things they'll never see
you and i are gonna live forever...

i wander out into the dawn feeling cleansed, re-born, at peace with myself once more, all the crap of the previous five hours suddenly, supremely irrelevant. it's a long walk back, but i'm going to soak up every minute.

the glossy eurotrash are pouring themselves into taxis. there's just one other guy heading for the road back to the harbour.

- oy, mate! good to see someone else keeping it old school!

hey: all of a sudden, I'm old school. spirit of 87! big ups to the man like danny rampling!

smiling and nodding back at him, i get into my stride.



ross met simon six years ago. a couple of months later, they moved in together. loveliest couple you're ever likely to meet. heads still turn ... but mostly for different reasons, these days.

1994: away with the fairies



[first posted on evijhserf]

twelve months later. it's friday night, and i'm back in heaven with dean, whizzed up as per usual. we don't bother so much with upstairs any more, except maybe as a warm-up; downstairs is three times the thrill.

dean has done e a couple of times over the summer - oh, neil, you've got to try it - but i can't see the point in taking that sort of risk when the whizz works so well. c'mon, who really needs anything more?

i've got a couple of friends over from sweden, so i've dragged them down here tonight, expecting them to be bowled over. except they're not. in fact, they look distinctly uneasy, hovering on the sidelines, hardly dancing, hardly smiling, barriers firmly up. oh well, whatever.

high up on the raised bit to the left, there's a skinny man stripped down to white shorts, jigging about on his own, every spare inch of skin below his neck covered in long, thick, sprouting fur. human yeti. i see him out quite often. bit of a fixture, i guess. hey, takes all sorts.

below him, near the stage, someone is lurching about with his t-shirt pulled up over his head, covering his face. he stays this way all night. lost in his own world. nobody bats an eyelid.

meanwhile, this seriously gorgeous shirtless french guy is all over me, full of hugs & smiles & affection. when the crap erotic cabaret starts up - boys in g-strings writhing about in cages all down the middle of the main floor - he all but jizzes.

oh WAOW! zis is AMAAAZING! i didn't sink zis would be so GOOOD!

well, chacun à son gout.

we wander off and sit down. my shirt's hanging wide open. he keeps trying to pull it off - come ON, let me SEE you - but i'm having none of it. he's so beautifully slender and defined, and i'm all scraggy and scrawny, and the last thing i want to do is put him off.

he asks what i'm on; says he's had an e. you aven't tried it? is vair nice! we talk clubs. his favourite is trade. as he talks about it, his eyes shine with evangelical fervour.

you AVE to take your friends zere tomorrow! is like nowhere else!

as we get up to dance, he tries to pull my shirt off again. he's so insistent, and i can't realistically keep refusing him all night.

alright alright alright, have it your way. off it comes. first time for everything.

he checks me up and down - shit, that's blown it - then locks eyes with me again, smiling broadly.

over his shoulder, i can see dean widening his eyes and giving me the thumbs up.

doesn't feel so bad, actually. can't believe i've been keeping the damn thing on all this time. silly, when you think about it.



i definitely said 9 o'clock in the village. so where the fuck are they, then? mind you, the swedish guys have been in a funny mood all day. i dunno, you try your best to be a good tour guide, and all they want to do is stomp around, eat crisps, and smoke fags on street corners. there's something not quite right going on there.

well, fuck 'em. if they're going to stand me up on a saturday night, then i'm fucking well going to love muscle without them. still plenty of time to get over to kudos for the special bus. anyway, it's not like i've never been out on my own before.

(turned out they went to g.a.y, hated it, had a blazing row, stormed out early. ha ha, karmic justice.)



four o'clock and i'm spannered on the whizz again - topped off with hefty blasts of poppers which i keep handing round to anyone who looks over, like a demented hostess at a cocktail party. all my residual anger has converted to manic energy - and i'm in no mood to stop.

flashbacks of that french guy, smiling and gently nagging.

you should go to trade. it's not how you think it is. look at me - i'm not a muscle queen, and i go all the time. it's relaxed, there's even a coffee bar.

fuck it, i'm going. i'm fucking well going to trade. wa-hey!



the queue's massive, it's hardly moving, and i'm actually trembling with nerves. er, don't you have to be with a member here? what if i don't get in?

the studiedly jaded queens in front of me are muttering crossly to each other. that BITCH didn't let me in last week. anyway, i got some flyers from outside heaven this time. we should be alright with them.

fuck, i didn't know about the flyers. well, i'm here now. might as well try.



are you a member?

clipboard clasped against her chest, the woman in the black nylon jacket is brusque, stern, and terrifying.

no, it's my first time here. friends of mine inside are members, though. i can give you their names if that helps?

well, it's almost true; there is this couple i know...

she pauses, looks at me hard, then flicks her head towards the door. i must have passed some sort of test. anyway, i'm in.



i've only got as far as the coffee bar, but there's already something utterly different about the vibe here. like i've crossed a border into another reality. everyone has this subtle but noticeable intensity about them - you could even call it commitment. i can see this isn't somewhere that you just pop into for a couple of hours at the end of the night.

in fact, it's not an end to anything. even if you've been out for hours, it's still a whole new beginning.



downstairs, through a bar area bedecked with dayglo polystyrene mobiles in acid reds, yellows and greens, packed solid with flesh. a bar, yet not a bar, because everyones swaying and shuffling to the music ... and yet it's not a dancefloor either.

squeezing through the damp, naked torsos, eyes fixed on a larger, darker zone beyond ... which opens out onto a raised area over a sunken dancefloor. again, divisions are blurred - everyone's moving, even if only slightly. no-one's standing still. no spectators, only participants.

feeling like i'm here under false pretences, i pick a spot. hey, this isn't so bad. in fact, it's quite civilised. the lights are brighter ... there's space to breathe ... and the music is a lot lighter and housier than i expected. actually, this track could almost be an instrumental dub of crystal waters: 100% pure love.

oh, and so could this one. and this one. and this one.

...back to the middle and around again...
...and around again...
...and around again...




on the edge of the balcony overlooking the main floor, i've made a new friend ... nodded at him in love muscle earlier, in fact. once he makes his position clear - if you're looking for a shag, then i'm afraid you've got the wrong man - we become quite chummy. but then, he is on e.

well, i expect they all are. except me.

my friend has this little notebook with him. every now and again, he takes it out and jots something down ... to help him remember what's been played, what tracks he needs to chase up during the week. sheesh, and i thought i was a trainspotter.



over the past couple of hours, the music has been getting imperceptibly faster and harder, without me ever quite realising. now, the rhythm stops ... yielding to the also sprach zarathustra theme from 2001: a space odyssey.



baaam, baaam, baaam, baaaaam...
BA-baaam....
bomp-om bomp-om bomp-om bomp-om
BOMPOM-BOMPOM-BOMPOM-BOMPOM
BOMPOM-BOMPOM-BOMPOM-BOMPOM




all of a sudden, the bpms have taken off and gone into mach 5 ... insanely fast, brutal, thumping, devilish, delirious. meanwhile, the crowd have gone mental, cheering and whooping and throwing their hands in the air as the lasers kick off in earnest.

way, way too fast to dance in my normal style, or in any style that i can think of ... in fact, too fast for anyone in their right minds to dance to. what the fuck is going on?

i throw a quizzical look at my friend, but he's away with the fairies. unable to decide whether this is fantastic, or diabolical, or both, i simply burst out laughing at the madness of it all, rocking my body backwards and forwards as best as i can.

still the only spectator in the room, but an enthralled one. rooted to the spot, jaw hanging open in disbelief.



time becomes a loop: the same few seconds, repeated over and over and over. i feel like an anthropologist who has stumbled over some secret tribal ritual ... which leads me into a long private reverie on the nature of tribal rituals ... after which i snap back into focus and burst out laughing all over again.



five minutes later, or thirty minutes later, or four days later - but in reality, almost certainly two hours later - the 2001 riff comes back in again. more cheers, but this time they're not so much anticipatory as valedictory.

my friend scribbles something else down. i'll be buying that tune next week ... there's this shop in north london. tell you what: give me your address and i'll do you a compilation tape, yeah?

although i didn't know it at the time, i had just experienced my first set by the soon-to-be legendary tony de vit. trade's new hero, still unknown in the outside world, who had taken over the main set a few months ago and turned the whole place around.



i stagger out around 11am, the sudden daylight freaking me out, and make my way over to my sister's place for lunch. by the time i get to leytonstone, my back is killing me.

an hour later, i can barely move, not even to pick up my mug of tea.

not yet knowing you were supposed to take regular breaks, i had been dancing non-stop for nearly twelve hours. twat.

i stayed off work for the next four days. bed-bound and in severe pain.

perhaps it was an awful warning.

i didn't listen, of course.



(oh, and i never got the tape. but then you already knew that.)

1993: doya do do do doya



[first posted on evijhserf]

autumn 1993. i've been out of the loop for the past four years or so. since i stopped dj-ing at the end of the 80s, dance music has changed. it's bigger, slicker, samier, and it all fits together too well - all these marathon dj sets where the whole point is that you can't hear the join. where are the songs? the personalities? the surprises? and worst of all: where's the fucking soul?

my clubbing highlight of the decade so far: frankie knuckles, sound factory bar nyc, summer 92. the pinnacle, by which all else must be judged. london? off the map. nyc has the music, amsterdam has the sex, london has, well, what? a pale imitation of "proper" scenes.

for the past couple of years, good little soulboy soldier to the last, i've been clinging onto the remnants of the nyc/nj garage scene. i have to admit it though: this music's in a rut. why do i keep dutifully amassing all these duff follow-ups from alison limerick, kym sims, ce ce peniston, each one a fraction staler than the one before? habit, that's all. don't want to stop keeping up.

and christ, all this "rave" that's suddenly sprung out no place i've ever been: sesame's treet, trip to trumpton, roobarb & custard. what a fucking joke. drug music for clueless tossers. alright, so i've learnt to live with orbital, bits of the orb, future sound of london ... but it feels like i'm forcing it. none of this stuff reflects anything i recognise in my own life. i'm just not feeling it.

i'm starting to feel like maybe i'm missing something.



in the spring, my mate dean moved to london. one night two years ago - his very first time out on the scene - he chose me to pop his cherry. first snog, first everything.

(me! and him so handsome! the honour!)

for a while afterwards, i played the role of mentor. relished it, even.

look at my protegé, doing so well. i taught him all he knows.

now the tables are turning. in the city, dean has found his wings. he's living the life, toast of the town. breathlessly filling me in on all the clubs he's trying, and all the men he's having ... and it all sounds so glam and sexy ... and i'm itching to join in.



"oh neil, you've got to come down for the weekend. i'll take you to heaven."

heaven? that overrated old dumping ground? i'd been a few times over the years, but never got into the place. about as personal as a supermarket. grim-faced cruisers on the balcony, attitude at the bar, same stale old rattle on the dancefloor.

"no, it's not like that anymore. you'll see."

well, if you say so. you're the expert now.



so we get there on a friday night for garage ... although dean says they only play actual garage upstairs. downstairs is all that hardcore techno stuff. dean doesn't bother with it. that first floor, though: it's his new home. can't keep away.

"i've stopped drinking in clubs," he says. "i just stick to speed instead. works much better, anyway."

speed? there were couple of times in the 80s, but i wasn't fussed. besides, all that druggy stuff: it's all a bit rancid. a bit grubby. a bit low-life.

except, clearly, dean's none of these things.

"oh, go on, try it. you'll be fine. anyway, i know who all the people are ... it's easy. just give me a tenner and leave it to me."

we're in the main corridor downstairs. dean spots a face, darts over, darts back again.

"no, he's only got e. we'll find someone else."

e? eurgh. dangerous. we both pull faces. dean never touches it.

a few minutes later, we're "sorted". that's what they all say, yeah? sorted. i can't believe i've just used that word for real.

"how much do you take?"

"usually the whole gram. lick up half now, maybe the rest later if you need a boost. let's go upstairs and get a drink. one's alright at the start; it helps warm you up."

i'm meekly trotting along behind my new mentor, trusting his know-how. although i don't yet feel like i belong here, there's something about the place which i can sense ... but not quite grasp. i want to break through this barrier, and grab it all for myself. all these carefree pretty people, lapping it all up.

i really, really want it, you know?

life's got boring, same corner of the local shit disco every saturday, jigging around on the carpet to what do i have to do for the fiftieth fucking time. i've a new hunger for something ... more.

we're on the edge of the floor. i always want to dance in the middle, but dean prefers it here. it's much cooler. our pints are up on the shelf behind us. i'm still in that stone cold sober "why am i doing this?" phase. going through the motions, mind wandering all over.

but, y'know, he's right: the music's not bad here. garagey, sometimes with a tougher edge, sometimes more soulful, sometimes more commercial, but it's all good. there's a certain standard, a certain spirit.

as time passes, the drawbridge lifts. i move into the zone.



FUCK.

KING.

HELL.



ohmygod
thisisabsolutelyfuckingamazing
thisisthebestnightiveeverhadinaclubevereverever.



ach, you know the script. it's where our experiences merge, you and me.

so i'll spare you the details. except to say: now i'm in the zone at last, i never want to leave it again.

i don't sleep that night. just can't wait to get back there on the saturday. (plus i probably didn't need that "boost".)



saturday night: we're back in heaven. i'm learning the ropes, finding my feet, welcoming the familiar. hey, it almost feels like my place now.

it's not quite like friday, but that's OK. half of fucking fabulous is still fabulous.

right at the end, i try a bit of the techno downstairs. i can sort of make a bit of sense of it. i can sort of see how it works. ten minutes is still enough though, oh dearie me ha ha yes.

there's this one killer tune upstairs. i go up and ask the dj about it. house of virginism: i'll be there for you (doya do do do doya). import only.

back home, i spend the next couple of weeks trying to track it down at specialist shops. the harder i try to find it, the bigger it grows in my memory. my own personal club anthem.

as soon as i hear it again, it's instant recall. actual shivers down the spine, tears welling up, dancing round the bedroom in my pants.



i have to get back there.

but i guess you saw that coming.

introduction/background



neil's wild years was originally conceived as a series of guest postings on evijsherf (the personal website of eric bogs). however, for various reasons which are too dull to explain here, i was unable to complete the series in the two weeks that had been allocated.

i'm therefore re-publishing the first three pieces here (1993-1995), after which i'll be continuing the series in my own time.

although it doesn't make quite so much sense when taken out of context, you might still care to read the original introduction to the series.